Arri PL Canon EF cine lens OKC 28/35/40/50/56/75/92/100 OKS wide screen portrait

1. PO70 (OKC1-22-1) 2.8/22 Arri PL 

2. PO70 (OKC1-22-1) 2.8/22 Canon EF

3. OKC4-28-1 2/28 Arri PL

4. OKC4-28-1 2/28 Canon EF

5. OKC7-28-1 2/28 Arri PL

6. OKC7-28-1 2/28 Canon EF

7. OKC8-35-1 2/35 Arri PL

8. OKC8-35-1 2/35 Canon EF

9. OKC11-35-1 2/35 Arri PL

10. OKC11-35-1 2/35 Canon EF

11. OKC1-40-1 2.5/40 Arri PL

12. OKC1-40-1 2.5/40 Canon EF

13. OKC1-50-6 2/50 Arri PL

14. OKC1-50-6 2/50 Canon EF

15. OKC1-56-1 3/56  Arri PL

16. OKC1-56-1 3/56 Canon EF

17. OKC4-75-1 2.8/75 Arri PL

18. OKC4-75-1 2.8/75 Canon EF

19. OKC6-75-1 2/75 Arri PL

20. OKC6-75-1 2/75 Canon EF

21. F92 (OKC1-100-1) 2/92 Arri PL

22. F92 (OKC1-100-1) 2/92 Canon EF

PO70 (OKC1-22-1) 2.8/22 Rare lens, very high quality. Red П version. Covers S35 frame.  Lens has been tested and showed great sharpness.

OKC4-28-1 2.9/28 fast lens for professional 35mm film movie cameras. High-aperture six-lens anastigmat. Designed for professional film cameras. Produced for film cameras Druzhba, Moscow, Mir, Konvas-Avtomat, and other special equipment. Covers APS-C sensor.

OKC7-28-1 Covers more than S35 but has vignetting on full frame. The optical design of the lens is a complex nine-lens optical system consisting of seven components. In terms of image quality, the lens is at the level of the OKS4-28-1 produced before it, but has a longer focal length and a larger number of aperture blades.  Gives a rich picturesque picture that attracts the eye, it is quite sharp in the center, the resolution drops somewhat towards the edges;

The lens made according to a retrofocus scheme, his ancestors had Flectogons, from them he inherited centrifugality.

OKC1-40-1 2.5/40 wide screen lens. Covers almost full frame. Very rare.

OKC1-50-6 2/50 Covers full frame with low vignetting. High optical performance. The third generation of Soviet 50mm cine lenses. After 1-50-1 and PO3-3M.

OKC4-75-1 2.8/75 wide screen lens. Covers almost full frame. Сmoothest bokeh ever, a bit of spherical aberration, absolute lack of distortion.

F92 2/100 like OKC1-100-1. A close analogue in the picture and in some ways even more interesting than the expensive OKS1-100-1. Lomo F92 is a cinema projection lens, professionally adapted for cinema or photography. The uniqueness lies in the fact that the lens was selected from several lens blocks as the best quality, equipped with an 18 blade aperture.

_____________________________________


Usual shipping time (with tracking) to EU 9-25 days, USA and Canada 12-35 days, other world 15-45 days. 

This is a used item and may have traces of usage.  Purchasing old/vintage/used equipment please make sure it is compatible with your new cameras, lenses etc. you are going to use it with. 
Please note that the delivery takes place from aboard, therefore customs fees are possible.
Import duties, taxes and charges are not included in the item price or shipping cost. These must be paid by the buyer depending on the destination country. 


Return Policy 

If you are not satisfied for any reason with any item you have purchased, you can return it within 14 days after receiving it. 
Please, make sure the item is packed and shipped it in the same condition you have received it. 
Full refund will be issued after I receive the item back. Buyers have to pay for the return shipping, except for receiving wrong or defective items. In those cases I will cover your shipping expenses (applied only for economy international shipping services.